Adam Cullen 'Leda and the Swan' printmaking Through his emotional candour

Through his emotional candour

backed by a textual grey or blue sky

The freedom of his line recalls Brett Whiteley

’ is a critique of the National Gallery of Victoria

Norrie is represented at the National Gallery of Australia (NGA)

Adam Cullen 'Leda and the Swan' printmaking Through his emotional candourAdam Cullen merges social satire with technicolour excess. An enfant terrible of the art world, he launched onto the Australian art scene by chaining a pigs head to his ankle for two weeks. This punk stunt was followed by a career spent painting tough, uncompromising and challenging subjects, captured with a pop art twist. Cullens Leda and the Swan explores the enduring eponymous myth. The tale of Zeus taking the form of a swan to impregnate Spartan